Wednesday, November 21, 2012

Matisyahu: King Without a Beard





                Matisyahu's appearance has been a hot topic with many of his fans.  When Matisyahu burst on the scene in 2006, many of his fans enjoyed Matisyahu not only for his music’s unique reggae-rap feel but for his orthodox payos and beard that made him a symbol in the Jewish community.  But on November 13 at the Overture Theatre in Madison, Matisyahu showed that his appearance isn’t the only thing he has changed.   Not only has he shaved his trademark beard and Peyos, but his music sounds more like Pop and he sings more than he raps.
                Matisyahu finally waltzed onto the stage after more than a 45-minute intermission and what seemed like 15 minutes of synthesizer and building drum beats which eventually led up to lyrics from “Aish Tamid” from his Live at Stubbs album.  His opening song flowed directly into a version of “Crossroads” which was more subdued than the version on his new album, Spark Seeker.  Throughout the night Matisyahu relied more on the synthesizer, drum beats, and musical effects than on his musical talent.  Don’t get me wrong, there were times during the concert when Matisyahu began to shine.   Matisyahu finally began to show some chutzpah when he performed his newest hit “Sunshine.”  He sang an amazing version of “King Without a Crown” which had a totally different feel than any of his studio versions.  Matisyahu was at his best when he lifted his voice above the other musicians and belted out lyrics that were spiritual and catchy.  He also sang an incredible and deeply spiritual riff about God telling Abraham to kill his son Isaac, which showed he has not completely shed his Jewish roots.  His performance illustrated that Matisyahu’s musical style is still evolving. 
                I would have liked to see more beatboxing and I would have liked to see the energy on November 13 like when I first saw him perform in the summer of 2007.  When I saw him then he sported his Peyos, Beard, and even the black orthodox garb complete with a black hat.   In that show, Matisyahu gave you everything you wanted: he did not stop moving the entire show, he addressed the crowd about his Jewish roots, and wowed the crowd with his beatboxing and freestyle skills.   However, Musicians are rarely static and continue to evolve.  Matisyahu’s music isn’t about pleasing his audience.  His music reflects his beliefs and his spiritual journey.  No great musical artist does the same thing every time they go into the studio or get on stage.  Why should we expect Matisyahu to be the same Orthodox Jew?  Matisyahu is much different now and if you listen to his new album Spark Seeker, you can understand for yourself how much he has changed.
                In the end, we can either like or dislike Matisyahu’s change.  I don’t think it’s fair to expect him not to change because his symbolism was more important than his music.  Matisyahu changes as does any other human being.  If we don’t take the time to listen to or watch Matisyahu’s or another artist’s performance as they evolve and change it’s our loss, not theirs.
               

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